How could I celebrate 40 years of BBC Breakfast when Straight to the point Limb made life a hopelessness - and I felt compelled to kiss Jimmy Savile? SELINA SCOTT lifts the cover on the in the background jokes of England's most memorable early morning Network program

How could I celebrate 40 years of BBC Breakfast when Straight to the point Limb made life a hopelessness - and I felt compelled to kiss Jimmy Savile? SELINA SCOTT lifts the cover on the in the background jokes of England's most memorable early morning Network program

SELINA SCOTT: When the BBC welcomed me to be a visitor on its Morning meal show this week, to have my influence in its 40th commemoration festivities, I didn't have to mull over my response.

 I respectfully declined. This regardless of the way that I had sent off the BBC's Morning meal Time in 1983 as the lead female anchor and turned into the substance of the program for quite a long time. 

I said no in light of the fact that I like to look forward as opposed to back, yet in addition on the grounds that such a great deal my experience on the frightful red calfskin couch caused me to feel I was a soldier in a disaster area. 

Then, as now, breakfast TV tried to invoke a casual, radiant, comfortable, non-fierce, 'all companions together' vibe with its messy meetings and evidently unrehearsed talk between the moderators and the morning's visitors. 

At the point when I was poached by the BBC, I was cautioned by old hands that I would find the snake-pit air produced inside 'Aunt's' revered walls altogether different. Kid, were they right.

At the point when the BBC welcomed me to be a visitor on its Morning meal show this week, to have my impact in its 40th commemoration festivities, I didn't have to mull over my response.

I obligingly declined. This notwithstanding the way that I had sent off the BBC's Morning meal Time in 1983 as the lead female anchor and turned into the essence of the program for quite a long time.

I said no in light of the fact that I like to look forward as opposed to back, yet in addition in light of the fact that such a great deal my experience on the terrible red calfskin couch caused me to feel I was a soldier in a disaster area.

Then, at that point, as now, breakfast TV looked to evoke a casual, radiant, comfortable, non-fierce, 'all companions together' vibe with its messy meetings and obviously unrehearsed talk between the moderators and the morning's visitors.

chat between the presenters and the morning’s guests.

When the BBC invited me to return to celebrate the 40th anniversary of BBC Breakfast, I politely declined... because Frank Bough made my life a misery

When the BBC invited me to return to celebrate the 40th anniversary of BBC Breakfast, I politely declined... because Frank Bough made my life a misery

On one occasion, Selina was expected to kiss Jimmy Savile, who was a massive BBC star at the time

On one occasion, Selina was expected to kiss Jimmy Savile, who was a massive BBC star at the time

The reality was rather different.

I joined Breakfast Time from ITN’s News At Ten, where the peerless newsreader Alastair Burnet, a great elder statesman of British television, had allowed me to blossom into one of the leading media faces of the moment.

He had once sent me a note after a broadcast saying I gave him confidence; in fact, it was the other way round. The prevailing mood at ITN was always one of the whole team pulling together.

When I was poached by the BBC, I was warned by old hands that I would find the snake-pit atmosphere generated inside ‘Auntie’s’ venerable walls very different. Boy, were they right.

The first indication I had landed in dangerous territory — full of back-stabbing and manipulation — was when my co-host Frank Bough invited me to the Thames-side home he shared with his wife Nesta for what seemed like an amiable ‘getting to know you’ meeting. I left feeling that it augured well for me.

Almost immediately after, however, Frank gave an interview to the Daily Mirror telling readers: 

‘I wanted to see if I liked

her.’

Seasoned observers of Frank, a BBC lifer who knew its Machiavellian ways, understood that he was ‘auditioning’ me to see if I was suitably pliable and not a professional threat to him. If he didn’t like what he saw, he would signal to the suits on the sixth floor and my breakfast TV career would be toast before it began.

It was the opening shot in Frank’s campaign to undermine me on air. If he felt as though he wasn’t drawing enough focus, he would butt into my interviews, disrupting my guest’s train of thought and leaving me scrambling awkwardly to try to move on to the next section in time.

His tactics left me confused and unhappy until, eventually, I realised his game was to always appear the dominant partner to the viewers.

'Imagine all the famous bottoms that have sat on it!' BBC Breakfast's Jon Kay tracks down the original red sofa from the programme's 1983 launch - as the show celebrates 40 years on air

Current presenter Jon Kay has made it his mission to try and track down the original red sofa that was used when the programme - then known as BreakfastTime launched in January 1983 - and revealed today that former host Debbie Goodwin, right, still owns a section of it

Current presenter Jon Kay has made it his mission to try and track down the original red sofa that was used when the programme - then known as BreakfastTime launched in January 1983 - and revealed today that former host Debbie Goodwin, right, still owns a section of it

 always appear the dominant partner to the viewers.

BBC Breakfast began on January 17, 1983 at 6.30am. Shortly before the broadcast ended the cast celebrated with champagne

BBC Breakfast began on January 17, 1983 at 6.30am. Shortly before the broadcast ended the cast celebrated with champagne

This behind-the-scenes atmosphere was all the more ironic given what the BBC was trying to achieve.

When we launched, breakfast television had never been seen in Britain before.

Some said it was degenerate and sinful to watch the box in the morning, so it was important the show projected a wholesome, family-friendly atmosphere.

I was part of that alchemy. I was a 31-year-old blonde. Frank, 50, was the mature, slightly gnarled, seasoned hand on the tiller. The unspoken visual image the producers sought was that of an older man and second wife duo.

Now, such a stereotype would — or should — be rejected. But in the early 1980s, the BBC was as much like a Masonic club as it was a broadcasting company.

The BBC has celebrated the anniversary with members of the cast, both past and present

The BBC has celebrated the anniversary with members of the cast, both past and present

BBC Breakfast celebrates turning 40 by releasing first ever photo of its original line up - so how many do you recognise?

First ever broadcast of BBC Breakfast on January 17, 1983. How many of the stars can YOU still name?

First ever broadcast of BBC Breakfast on January 17, 1983. How many of the stars can YOU still name?

The men who ran it — always men — were almost all Oxbridge-educated, had a narrow, privileged perspective of life and were suspicious of the women they worked with. With one or two exceptions, such as Sue Lawley and Angela Rippon, they didn’t really trust women to deliver. To them, women were just for decoration.

Were they misogynists? Many of my sex thought so. Frank perfectly embodied such a mindset.

Presenting a live show like the BBC’s Breakfast Time is a hard gig; you have to rise at 3am, arrive at the studio in the dark, be briefed by researchers on the guests and news of the day and then head into make-up.

From 6.30am, you sit on the sofa in as relaxed a manner as you can muster while directors constantly bark instructions through your earpiece.

To succeed, you need to completely trust those you work with. Yet, instead, I was forever fearful of being deliberately tripped up.

It was not just on set that Frank sought to rubbish me. When he was seeking to bed Fern Britton, then a rookie newsreader, he made a denigrating sexual comment about me.

It was the sort of remark that men of his age and ilk would make at that time if for some reason they had concluded that you didn’t fancy them.

Frank’s ego demanded a flirtatious experience with many of the women he worked with and, sometimes, it was clear that he wished to take it further than that.

The show was the first Breakfast TV programme on UK screens, featuring the likes of Francis Wilson, left, pictured here with the show's current presenter Carol Kirkwood

The show was the first Breakfast TV programme on UK screens, featuring the likes of Francis Wilson, left, pictured here with the show's current presenter Carol Kirkwood

Fellow presenter Fern, an utter breath of fresh air, told me that Frank took her to lunch and said: 

‘Well, young lady, how long will it be before you are having an affair with me?’.

 It must have terrified the life out of her.

The quid pro quo for young women in my position, who were just starting out in TV, was that if you went to bed with ‘Uncle Frank’ you would be fast-tracked to success. If you didn’t, you’d suffer the consequences.

After rejecting Frank’s advances, Fern mysteriously left the show. It was a classic example of how the BBC allowed a developing TV talent to be sidelined.

It is still a source of irritation that so many photos exist of Frank trying to kiss me. Whenever snappers appeared, Frank felt compelled to plant his lips on me, and I can only hope that discerning readers could see from the expression on my face that this was not something I enjoyed.

In fact, I found it so excruciating that when I later hosted the Wogan show, I had it written into my contract that no guests were allowed to kiss me!

Looking back, I think Frank had an insecurity which dictated much of his attitude towards me.

I must have appeared to him young and carefree, with my whole future ahead of me. He — regarded as a consummate television professional, who had made a serious gamble by moving from Grandstand, BBC’s flagship sports programme, to the fluffy, unknown world of breakfast TV in his 50s — didn’t know how long his career had to run.

He knew there was a chance he’d fall flat on his face and, though he never showed his nerves, there was a deep tension in him.

Of course, I look back with affection at my fellow presenters who all appeared on the 40th anniversary celebration, and the young producers who toiled through the night to get the show on air. My beef was with the senior executive who knew what was going on with Frank and me and let it happen

Of course, I look back with affection at my fellow presenters who all appeared on the 40th anniversary celebration, and the young producers who toiled through the night to get the show on air. My beef was with the senior executive who knew what was going on with Frank and me and let it happen

Of course, I look back with affection at my fellow presenters who all appeared on the 40th anniversary celebration, and the young producers who toiled through the night to get the show on air.

My beef was with the senior executive who knew what was going on with Frank and me and let it happen.

It wasn’t just Frank who took liberties. Jimmy Savile saw his appearance on the show as an ideal opportunity to play the eccentric, and I knew from the off that I was in for a rough ride.

For more than two hours, he acted like a lovesick teenager as I tried to interview him. No matter how hard I tried to deflect his smutty innuendos, he kept coming back with more ‘wink wink, nudge nudge’ suggestions.

At one point, he climbed into a sleeping bag he’d brought with him. I asked him ‘Why?’. He said if I held his hand he’d tell me. Naturally, I demurred.

His response was: ‘I know millions of fellas who wish they could hold hands with Selina Scott in their sleeping bags.’ I was deeply embarrassed.

Our sports correspondent David Icke attempted to divert Savile by asking him if he had ever tried squash. With a leer, Savile looked at me and replied: ‘I have tried squeeze and press but never squash’.

Selina, pictured beside Frank Bough, centre, was criticised for her £50,000-a-year salary even though Bough was earning four times the amount

Selina, pictured beside Frank Bough, centre, was criticised for her £50,000-a-year salary even though Bough was earning four times the amount

When Savile saw he wasn’t getting any reaction from me, he said he wouldn’t answer any more questions unless I gave him a kiss. 

My job was to engage with the guests and create a happy vibe and I felt I had no choice. Can you imagine all this being allowed to play out on British TV today? Or that women like me were expected to acquiesce?

I thought Savile repulsive, but to my bosses ratings were sacrosanct and Savile was seen as TV gold dust. He was untouchable.

That breakfast TV era was a difficult time for me for other reasons, too.

As the star of a new show, who was single and said to resemble Princess Diana, I was pursued mercilessly by the paparazzi.

Who was I dating? Where was I going in my free time? Where did I buy my frocks? I was pilloried in the Commons over my £50,000-a-year salary, with one male MP calling it a misuse of public money. Of course, no one said anything about Frank’s £200,000 salary.

Princess Diana didn’t appear on Breakfast Time, but she was a fan and did visit the studios.

Once she said to me: ‘People say you look like me.’ As I was older, I replied: 

‘I was here first, so I think it must be you who looks like me.’ 

It was just banter and she laughed.

After her visit, Michael Shea, the Queen’s press secretary, asked me if I would befriend Diana and guide her through the pitfalls of the media jungle. He’d observed the torrid time I had with the Press and that she, too, was going through, and thought my experience would be helpful to her.

But I had my hands full with my own life at that time and, given I was also catnip for the paparazzi, I didn’t think I was best placed to help her.

After three years of Breakfast Time, I’d had enough and I quit.

I took a holiday and was parachuted into The Clothes Show, then took off for America, where I had a great time travelling the world on assignments for CBS, where female talent was encouraged and respected.

Had I appeared on the 40th anniversary show this week, how could I have said any of this? It would have been dishonest to just grin and throw out some platitudes as the show tripped down memory lane.

When I speak about those days, I want to tell it like it was. They say the first over the top get shot, while the second wave get the medals, which is why it is important that young women in the media today understand the battles fought by my generation.

And although many might say it is unfair to criticize Frank when he is no longer with us and can’t answer back, it is also vital that the BBC acknowledges its past behavior, so that each new woman who sits on the Breakfast sofa in the years to come has a better experience than me.

 

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